



Nowhere To Run The Story Of Soul Music by Gerri Hirshey.The Age Of American Unreason by Susan Jacoby.A People’s History Of The United States by Howard Zinn.Last Exit To Brooklyn By Hubert Selby, Jr.Octobriana And The Russian Underground by Peter Sadecky.The Sound Of The City: The Rise Of Rock And Roll by Charlie Gillete.Writers At Work: The Paris Review Interviews edited by Malcolm Cowley.Silence: Lectures And Writing by John Cage.Sweet Soul Music: Rhythm And Blues And The Southern Dream Of Freedom by Peter Guralnick.Awopbopaloobop Alopbamboom: The Golden Age of Rock by Nik Cohn.The Life And Times Of Little Richard by Charles White.The Day Of The Locust by Nathanael West.A Confederacy Of Dunces by John Kennedy Toole.The Sailor Who Fell From Grace With The Sea by Yukio Mishima.The Prime Of Miss Jean Brodie by Muriel Spark.The Master And Margarita by Mikhail Bulgakov.The Quest For Christa T by Christa Wolf.Infants Of The Spring by Wallace Thurman.In Bluebeard’s Castle by George Steiner.The Origin Of Consciousness In The Breakdown Of The Bicameral Mind by Julian Jaynes.Halls Dictionary Of Subjects And Symbols In Art by James A.Norris Changes Trains by Christopher Isherwood Inside The Whale And Other Essays by George Orwell.The Brief Wondrous Life Of Oscar Wao by Junot Diaz.Interviews With Francis Bacon by David Sylvester.“He was warm. Real. David Bowie was the only person I ever met who glowed.” Album cover from Hunky Dory (1971), decorated with glitter and autographed by David Bowie for the ARChive of Contemporary Music. “For more than four hours anyone could just sit down at his table and chat. He made a swell introduction to Nile (Rodgers) and he danced, ” recalled George. George, founder of the ARChive of Contemporary Music in NYC, an organization that Bowie supported generously, even hosting its 15th Anniversary celebration. Elliot and the Pop Art-influenced graphic design of Tadanori Yokoo.īut what was it like to experience David Bowie, the person? I asked b. Bowie composed 2/3rd of a rock opera based on George Orwell’s 1984, only to discover he could not secure the rights to the dystopian novel. He was drawn to counter culture writers such as William Burroughs, at one point emulating Burroughs method of “cutting up” words and fashioning them randomly into lyrics. It’s easy to chart the androgynous Ziggy Stardust to Bowie’s well-worn copy of “ The Life and Times of Little Richard.” From mythical heroes in Homer’s Iliadto the Beat icons in Jack Keroac’s On the Road, David Bowie’s favorite protagonists are as eclectic as his public personae.
